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Representation of East and South East (ESEA) people on screen, in literature and beyond has not always been the best – often with quite negative tropes and harmful stereotypes being depicted. We dive into this more in our ESEA heritage in-house session.

However, fortunately, in recent years we have begun to see more authentic representation – with ESEA narratives being told by ESEA creatives across mediums. So I wanted to take the opportunity during ESEA Heritage Month this September, to share some of my favourites with you.

Hopefully you’ll be able to access a lot of the below recommendations through your local library, streaming services and through the links provided. But where you can, it’s also important to support these ESEA authors, films, community organisations, etc., so that more of this great work can continue!

This is of course not an exhaustive list of books & films by ESEA authors – just some recommendations from myself, friends and other Inclusive Employers colleagues!

A grid showing the book covers of the following titles: East Side Voices, Take Away, Wandering Souls, Yellowface, Ghost Girl, Banana, If You Still Recognise Me, The Cats We Meet Along The Way, Eyes That Kiss In The Corners

To read

East Side Voices: essays celebrating East and Southeast Asian Identity (2022)

Non-fiction anthology 

I was so excited for this publication that I went along to a launch event for it last year. I haven’t always felt that there were spaces for me as Mixed East Asian woman, so seeing essay contributions in this anthology by Mixed ESEA writers was truly incredible. I was particularly drawn to pieces by Naomi Shimada and Claire Kohda who both wrote about their relationship with her grandmother.

Takeaway: Stories from a childhood behind the counter – Angela Hui (2023)

Non-fiction memoir 

Wandering Souls – Cecile Pin (2023)

Contemporary fiction, historical 

This follows 3 Vietnamese siblings who are refugees as they navigate their way from Vietnam to Thatcher’s Britain, through Hong Kong. This book helped me learn more about this aspect of history that I personally didn’t know more about, and one I really recommend expanding our own learning with. It has also been longlisted for the Women’s Prize for Fiction 2023.

Yellowface – Rebecca F Kuang (2023)

Contemporary fiction, satire

You might have heard of this one already as R.F Kuang is a big name in the world of writing. This is a great psychological satire that explores notions of racial identity particularly within storytelling and the publishing industry.

Ghost Girl, Banana – Wiz Wharton (2023)

Contemporary Fiction, mystery

I Want to Die but I Want to Eat Tteokbokki – Baek Sehee (author), Anton Hur (translator) (2022)

Non-fiction memoir, mental health 

Woman, Eating – Claire Kohda (2022)

Contemporary fiction, sci-fi

If You Still Recognise Me – Cynthia So (2022)

Young Adult

The Cats We Meet Along the Way – Nadia Mikail (2022)

Young Adult

This is one I picked up from my local library and really enjoyed over a weekend. It took me on a road trip across Malaysia whilst exploring family dynamics, coming to terms with the present and hoping for a future amidst the end of the world.

Eyes that Kiss in the Corners – Joanna Ho (2021)

Early years picture book

Happy Families – Julie Ma (2021)

Contemporary Fiction 

Front Desk – Kelly Yang (2019)

Middle-grade 

In the Country: Stories – Mia Alvar (2015)

Fiction, short stories

 

Learn more about ESEA Heritage Month on our Awareness Page.

Visit our Awareness Page
A feminine Asian person working on a laptop and smiling

A poster grid of movies showing titles such as Raya and The Last Dragon, Shang-Chi, Turning Red, Always Be My Maybe, The Half of It, Minari, Everything Everywhere All At Once, and The Farewell

To watch

Everything, Everywhere, All at Once (2022, A24)

Action Adventure Comedy, R 

One of my favourites of 2022. This explores Asian-American 1st and 2nd generation immigrant experience. Authentic representation from set design to language switching in the film. Excellent exploration of mother-daughter relationship.

Turning Red (2022, Disney)

Animation Adventure Comedy, PG

Shang-Chi and the Legend of the Ten Rings (2021, Disney)

Action Adventure Fantasy, PG-13

A big addition to the Marvel cinematic universe with the first East Asian superhero. The film is action-packed of course, but also represents ESEA family dynamics and diaspora identity without stereotyping.

Raya and the Last Dragon (2021, Disney)

Animation Action Adventure, PG

The Half of It (2020, Netflix)

Comedy Drama, PG-13 

A heartfelt coming-of-age story following Ellie Chu who discovered her attraction to popular girl Aster, whilst she helps bumbling Paul try to win her affections through love letters. One for younger audiences that highlights questions of LGBTQ+ identity, race and religion.

Minari (2020, A24)

Drama, PG-13

The Farewell (2019, A24)

Comedy Drama, PG

Prepare to sob for this one! It follows a Chinese-American family who travel to a big family gathering to visit their grandma who only has a short while left to live.

Always Be My Maybe (2019, Netflix)

Romantic Comedy, PG-13

How did COVID Affect Asian Hate in the UK?

ITV Documentary

To learn more and support

To conclude…

It’s important to also remember that whilst on-screen representation, and seeing authentic and diverse ESEA stories being shared, it is not the only answer. We also need good representation in leadership across organisations across sectors. If you’re a member with Inclusive Employers, speak to your Account Manager about this work. You can also find out more about what your organisation can do to mark ESEA Heritage Month this month and beyond through our blogs and member resources.

Grow your team

When you become an Inclusive Employers’ Member you grow your I&D team.

Your account manager works with you to understand your goals, your challenges and achievable next steps.

Do you need more support for your inclusive culture to thrive?

Learn about membership today

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